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Tyler Perry’s A Madea Homecoming: Release Date

Tyler Perry’s A Madea Homecoming release date is here. It is going to release on February 25, 2022. For More information follow the article below.

A Madea Homecoming: More Information

MADEA  Simmons is one of the most recognizable characters in Tyler Perry’s movies. She is considered as America’s favorite grandma, anyone familiar with the brash matriarch knows she was first seen in Perry’s 1999 stage play I can do bad all by myself before making her feature film debut in 2005’s Diary of a mad black woman. This pistol-packing, brutally honest, and often bad-mouth matriarch and unlikely icon, went on to anchor a 10 movie franchise.

A MADEA FAMILY FUNERAL was released in 2019 and the play MADEA’s FAREWELL PLAY was supposed to be the final outings for Madea, Perry told the New York Times. However, He soon realized that he just couldn’t quit his curmudgeonly grandma. Madea is coming of retirement and straight to Netflix.

A Madea Homecoming: Release Date

This movie marks her 11th movie which is A Madea Homecoming and her 12 appearances in a Tyler Perry’s production which will be premiering on 25 of this month which is February. Madea movies are known for tough love, life lessons delivered with a heavy hand and broad, sometimes off-color, comedy.

If the viewers are wondering if there is any update of its theatrical release, let me clear it out for you. As of now, there are no plans for Madea’s latest movie to have a theatrical release. Although a proponent of the theater experience, Perry noted to the variety that it was “never part of his conversation with the company.

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A Madea Homecoming: Where to watch

Fans of  can watch it on NETFLIX, on 25 of February.

Official Trailer of “A Madea Homecoming”

The official trailer has already been released.

The promotion which is leading up to the release has been a series of gag images featuring Madea. She is seen spoofing big moments. In recent pop culture news like Adele’s exclusive interview with Oprah. It itself is a big hint that her signature lampooning and learning into the contemporary for both its commentary and its laugh is likely to continue as the storyline staple.

For more updates stay tuned with us StanfordArts Review

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