Who is Olivia Ponton? Everything you need to know about the Instagram Star
Instagram has become quite the medium to create stars out of popularity. One of the ongoing examples is Olivia Ponton. The self-made model has become enormously popular through her Insta posts. Ponton is equally active on Tiktok too. Let’s get through her bio.
Early Life & Career
The 18-year-old model was born on May 30, 2002, in Florida. In her sophomore year, Ponton started modeling. She visited many countries (15) and worked with many brands throughout her life. In an interview with Teen Magazine Ponton added: “A lot of people suggested to me that I should model. I went to Miami Swim Week and visited some brands and I had so many people asking which agency I was signed with. That cemented my decision to give modeling a shot, so I snapped some photos of myself, which was a very casual process.” Ponton currently works with Wilhelmina Models.
Apart from modeling, Olivia is active in athletics too. She was an athlete on the run track, water skiing yoga, etc. As a track team member, Olivia participated in the 4×100 relay and 60-meter dash at Naples High School. Moving on to her work life, Ponton currently has 3.1 million followers on Instagram, 5.7 million followers on Tiktok as well.
Relation Status:
According to the reports, Ponton was dating Canadian TikTok star, Kio Cyr, in April 2020. But their relationship lasts until June. Ponton posted a story on her Instagram handles announcing their breakup. She wrote: “Some beautiful things come to an end. I forever wish you for everything, I appreciate you always.” In reply to the story, Kio tweeted ‘You’ll always have my heart. I wish you the best, angel.”
Ponton was even been pointed out as an LGBTQ member. In her 2011 TikTok lip-sync on a song created confusion that she might be gay. She lip-synced on the lines: “I am not gay(well, first of all, ehhh) but let’s be precise. Cause if she pretty than then watched it cause l’mma be f***ing your wife.” However, Ponton never gave any declaration to this.
Stay with Stanford Arts Review for more updates.
